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Textile

 

COLOUR, DYES AND DYEING
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👉 Light and colour :
Colour sensation is a characteristic of human experience. Nature provides a
particularly vivid display of colour. We use colours in many varied ways; for
example, for clothes, paints, foods, lighting, cosmetics, paper, furnishings, and for
identification and security. Despite our familiarity with it, there is no simple
answer to the question ‘What is colour, and how do we see it?’: we understand so
very little of the complex processes involved in colour vision. There are three main
stages in the perception of colour, but each one consists of numerous complicated
processes:
(1) absorption of coloured light entering the eye by the sensitive cells in the
retina lining the back of the eyeball;
(2) transmission of nerve impulses from the retina to the brain via the optic nerve;
(3) interpretation of these signals when they reach the visual cortex in the brain.
To understand colour, some knowledge of the nature of light is essential. Light is a
form of energy usually considered as being propagated at high speed in the form of
electromagnetic waves. All types of electromagnetic radiation are characterised by
their wavelength (႓
) (the distance between the wave crests), or by the frequency
(v) (the number of waves that pass a point in a given time). Figure 1.8 illustrates
the variations of the electric and magnetic fields associated with an
electromagnetic wave.


Figure 1.8 Variations of the electric and magnetic fields associated with an
electromagnetic wave


Colours of typical spectral bands, and colours perceived after their absorption by a material viewed in white light Light absorbed by the material Wavelength Colour of Perceived colour of
band (nm) the light absorbed the reflected light

  • 400–440 Violet Greenish-yellow
  • 440–480 Blue Yellow
  • 480–510 Blue-green Orange
  • 510–540 Green Red
  • 540–570 Yellowish-green Magenta
  • 570–580 Yellow Blue
  • 580–610 Orange Greenish-blue (cyan)
  • 610–700 Red Blue-green
👉 Colorants, dyes and pigments :
A colorant is a substance capable of imparting its colour to a given substrate, such
as paint, paper or cotton, in which it is present. Not all colorants are dyes. A dye
must be soluble in the application medium, usually water, at some point during the
coloration process. It will also usually exhibit some substantivity for the material
being dyed and be absorbed from the aqueous solution. On the other hand,
pigments are colorants composed of particles that are insoluble in the application
medium. They have no substantivity for the material. Since the particles are too
large to penetrate into the substrate, they are usually present on the substrate
surface. The pigment is therefore easily removed unless fixed with an adhesive.
Most textile dyeing processes initially involve transfer of the coloured chemical,
or its precursor, from the aqueous solution onto the fibre surface; a process called
adsorption. From there, the dye may slowly diffuse into the fibre. This occurs down
pores, or between fibre polymer molecules, depending on the internal structure of
the fibre. The overall process of adsorption and penetration of the dye into the
fibre is called absorption. Absorption is a reversible process. The dye can therefore
return to the aqueous medium from the dyed material during washing, a process
called desorption. Besides direct absorption, coloration of a fibre may also involve
precipitation of a dye inside the fibre, or its chemical reaction with the fibre. We
have already seen that these two types of process result in better fastness to
washing, because they are essentially irreversible processes.
For diffusion into a fibre, dyes must be present in the water in the form of
individual molecules. These are often coloured anions; for example, sodium salts
of sulphonic acids such as Congo Red (
2, Figure 1.3). They may also be cations
such as Mauveine (
1, Figure 1.1), or neutral molecules with slight solubility in
water, such as disperse dyes (
3, Figure 1.6). The dye must have some attraction for
the fibre under the dyeing conditions so that the solution gradually becomes
depleted. In dyeing terminology, we say that the dye has substantivity for the fibre
and the dyebath becomes exhausted.
The four major characteristics of dyes are:
(1) intense colour;
(2) solubility in water at some point during the dyeing cycle;
(3) some substantivity for the fibre being dyed;
(4) reasonable fastness properties of the dyeing produced.


👉 Dye classification and nomenclature :

Classification of dyes according      Classification according to chemical 
to chemical constitution                   constitution to textile usage
 
Azo dyes
Anthraquinone dyes
Heterocyclic dyes*
Indigoid dyes
Nitro dyes
Phthalocyanine dyes
Polymethine dyes
Stilbene dyes
Sulphur dyes
Triphenylmethane dyes
                                            Acid dyes
Azoic dyes
Basic dyes
Direct dyes
Disperse dyes
Mordant dyes
Pigments
Reactive dyes
Sulphur dyes
Vat dyes







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